Sunday, October 29, 2017

Provence 1970 and How We All Changed the World


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My sister Susan is an excellent cook and her garden is a thing of culinary beauty. I’m not a bad cook either, if I say so myself. This is a gift from our family. While we were both raised in the fifties and sixties, the dark ages of American cooking, we were lucky as, for us, food was something tied to family and celebration. Our mother lovingly prepared our meals and dad manned the grill in summers. We always sat down as a family for a dinner that did not include a television set. Our parents also loved to entertain, so adults gathering around food and cocktails (wine had not yet been discovered in Harvard Illinois) made good food and good times synonymous for us.

Then there was our grandmother, my mother’s mother Goldie, who was simply one of the greatest cooks I have ever experienced. Her repertoire was formidable, but it was only in one genre – classic midwestern farm cooking. This was a hybrid of English and German cooking that had been transformed into the cuisine of the American prairie. Portions were substantial, as this was fuel for families spending their days doing the hard physical work that was life on a small dairy farm. Her Christmas dinner was a tour de force: roast turkey, roast beef, ham, oyster stuffing, mashed potatoes drenched in butter and seemingly countless other side dishes. A table bent under the weight of pies and cakes. Almost thirty of us would gather at one long table and eat until we could eat no more. But eat more we would as the pièce-de-résistance would be unveiled – the suet pudding. She would only make this pudding once a year at Christmas. It was sublime. It was also the single richest dish I have ever eaten in my life.

Special note must be made of my grandmother’s pies. Thank goodness these were the days before cholesterol and Crisco. Goldie made her pie crusts with lard and the fillings from what grew on the farm – apple, rhubarb, cherry. If you have never tasted a pie crust made from lard, you have not tasted a real pie. The memories of these pies (rhubarb was my favorite) makes my mouth water to this day. Growing up I never wanted a birthday cake, I wanted a birthday pie.

Such positive memories of food in your youth cannot help but lead you into the kitchen yourself. When I started to get seriously interested in cooking, I was lucky to have some very special teachers. There was Julia Child, James Beard, Richard Olney, M.F.K. Fisher and Marcella Hazan at my side in my kitchen as I taught myself to cook. Their cookbooks were stained and abused as I tried to follow the recipes. Indeed my first copy of Mastering the Art of French Cooking was severely singed on the back cover due to a brush with a hot stovetop. To me, the wear and tear on these books was a badge of honor. I inhaled these books like a mystery fan reads Sherlock Holmes.

This was learning to cook in the 1970s. Food had been born again in the United States led by these now venerable cooking and food writers. My entire life and career was influenced by these writers and they led me down the path to my love of wine and my, now over thirty-five years, as a fine wine professional. Due to them, for me food and wine has always been the same topic and it is this philosophy that guides my winemaking goals to this day.

I was filled with these memories and feelings as I read a book that has to be profoundly moving to anyone who experienced the rebirth of American cooking . Provence 1970 by Luke Barr chronicles the experiences of M.F.K. Fisher (his great aunt), Julia and Paul Child, James Beard and Richard Olney as their love of France and French cuisine transformed American cooking and eating and then, eventually transformed them as they went beyond the limits of French cooking and help create a uniquely
American food and wine culture.

Provence 1970 is one of those books that brings you a touch of sadness when you reach the last paragraphs as you become so personally involved in the world the book recreates as your own memories weave together with the events and experiences so vividly and thoughtfully recounted by Barr in this lovingly written book. As you read the last words you know that the world the author has created is one you do not wish to leave.

Perhaps you have to be of a certain age to feel the emotional tug that this book had for me. The food culture in the United States no longer takes a back seat to those of Europe. American restaurants are on the cutting edge of fine dining, leading the way, not following, to the next big thing. That American wines are as good as any made anywhere is old news, not even considered by younger wine buyers. Fabulous natural cheeses, charcuterie and excellent expresso are easy to find throughout the country. Farm-to-table restaurants and farmers markets with gorgeous organic, even biodynamic, produce are commonplace coast-to-coast. When I first started visiting Europe in the seventies I would smuggle cheeses, prosciutto and salami back hidden in my suitcase because such things did not exist at home. Today’s travelers don’t need to bother except for sentimental reasons as, not only can you find those things here, but often find better products made by artisan producers in their own home towns. The food culture in America has been totally transformed in just fifty years.

Provence 1970 recounts the beginnings of this change, but also tells the story, not only of my introduction to good food and wine, but the story of many, many thousands of American cooks, both home and professional. The American cooks, that learned to cook from the likes of Child, Beard and Hazan together changed the world of American food and wine.

It was a circuitous route we took to return to the locavore, organic cooking of my grandmother. We had to pass through the rigid rigors of haute cuisine and a Francophilia driven by our culinary insecurities to get back were we started from – local food, simply and well prepared. Which, come to think of it, also are my favorite dishes in France and Italy.

Christmas dinner will be here soon. As I plan the menu, my grandmother will be there with me. I hope to make her proud as the flavors of her table live in me and are a part of who I am. I can taste the suet pudding now.



from Provence 1970 and How We All Changed the World


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Vinography Unboxed: Week of October 22, 2017


bigstock-box-of-wine-on-the-plain-backg-26760620.jpgHello, and welcome to my periodic dig through the samples pile. I’m pleased to bring you the latest installment of Vinography Unboxed, where I highlight some of the better bottles that have crossed my doorstep recently.

This week included a few gems from Italy, starting with the very fresh Vermentino from Olianas, a label out of Sardinia. Vietti also sent along some of their latest releases, including their Barbera and Dolcetto which are among some of the best values in the wine world, in my opinion. Young now, these two wines will age beautifully for a few years, and the Barbera for more than a decade.

Closer to home, I started tasting my way through the latest Pinot releases from Big Table Farm, the little biodynamic producer in Oregon recently anointed by the New York Times as among the most impressive small labels from the Willamette Valley. The wines just keep getting better and better, and they deserve all the accolades they’re getting.

There were a couple of new releases from Ridge Vineyards there as well, including the always impressive Lytton Springs bottling which, along with its cousin Geyserville, is usually one of the best red blends made in California each year. The 2014 doesn’t disappoint.

Finally, we move into big shouldered territory with a few releases from Shafer Vineyards, including their very impressive 2013 Hillside Select. This wine is not always my style, massive and ripe though it is, but the 2013 is undeniably seductive, and will make those who want a big Napa Cab gaga for its ripe espresso and cherry goodness.

All these and more below. Enjoy.

2016 Olianas Vermentino, Sardinia, Italy
Light gold in color, this wine smells of poached pears and wet chalkboard. In the mouth, snappy wet chalkboard minerality is shot through with pear and citrus pith brightness. Notes of lemon zest linger in the finish with a hint of bitter pear skin. Tasty and fresh.2014_ridge_lytton_springs_sm.jpg 13% alcohol. Score: between 8.5 and 9. Cost: $15. click to buy.

2015 Sanford Rosé of Pinot Noir, Sta. Rita Hills, Santa Barbara, California
Palest salmon pink in the glass, this wine smells of rosehips and strawberries. In the mouth, tart crabapple and green strawberry flavors have a nice zip thanks to excellent, even severe acidity. Citrus notes linger in the finish. 13% alcohol. Score: around 8.5. Cost: $22 click to buy.

2015 Big Table Farm Pinot Noir, Yamhill-Carlton District, Willamette Valley, Oregon
Light to medium ruby in the glass, this wine smells of wet leaves, dried flowers, and cherry fruit. In the mouth, wonderfully bright flavors of cherry, earth, carob, and sandalwood mix with the scents of dried flowers and herbs. Faint, very powdery tannins hang back at the edges of the mouth. Excellent acidity and length. 14.3% alcohol. Score: around 9. Cost: $48. click to buy.

2015 Big Table Farm “Sunnyside Vineyard” Pinot Noir, Willamette Valley, Oregon
Light to medium garnet in color, this wine smells of cranberry and cherry fruit tinged with earth. In the mouth, exceedingly silky and elegant flavors of raspberry, cherry and wet earth have a weightless quality to them that is very appealing and delicate. Excellent acidity and length with basically imperceptible tannins. 13.9% alcohol. Score: between 9 and 9.5. Cost: $48. click to buy.

2015 Vietti “Tre Vigne” Barbera d’Asti, Piedmont, Italy
Medium garnet in the glass, this wine smells of mulberries and leather and dried flowers. In the mouth, intensely citrusy flavors of mulberry and cherry mix with deeper notes of leather and potting soil. Excellent acidity and faint tannins round out the package. Good length. 14% alcohol. Score: between 8.5 and 9. Cost: $18 click to buy.

2015 Vietti “Tre Vigne” Dolcetto d’Alba, Piedmont, Italy
Medium to dark garnet in color, this wine smells of cassis and blackberry. In the mouth, blueberry and black cherry flavors mix with leather and earth scented with dried flowers. Powdery tannins coat the mouth, but not enough to make the wine feel heavy. Excellent acidity lifts everything, lingering floral in the finish. 13.5% alcohol. Score: around 8.5 . Cost: $22. click to buy.

2015 Shafer Vineyards “TD-9” Red Blend, Napa Valley, Napa, California
Dark garnet in color, this wine smells of ripe cherry and tobacco leaf and oak. In the mouth, rich, vaguely sweet and layered flavors of cherry, chocolate, plum and mocha frapuccino mix with a dollop of oak nestled in a bed of faint, velvety tannins. Decent acidity keeps the fruit fresh, and there’s not much sign of the wines prodigious 15.3% alcohol. A blend of 56% Merlot, 28% Cabernet Sauvignon and 16% Malbec. Score: between 8.5 and 9. Cost: $65 click to buy.

2013 Shafer Vineyards “Hillside Select” Cabernet Sauvignon, Stags Leap District, Napa, California
Inky garnet in the glass, this wine smells of black cherry, dark chocolate and toasted oak. In the mouth, teeth staining black cherry and cassis flavors mix with chocolate and rich espresso notes. The wood is present but pretty nicely integrated here, and the tannins velvety, voluminous and smooth. Ripe, as this wine always is, but nicely balanced despite its 15.5% alcohol. Score: between 9 and 9.5. Cost: $299. click to buy.

2015 Ridge Vineyards “Pagani Ranch” Zinfandel, Sonoma Valley, Sonoma, California
Dark garnet in color, this wine smells of freshly baked blackberry pie right out of the oven. In the mouth, tangy blackberry and blueberry flavors are utterly appealing with their mouthwatering acidity and a caramelized brown sugar finish that lingers for some time on the palate. A blend of 83% Zinfandel, 10% Alicante Bouschet and 7% Petit Sirah. High octane at 15% alcohol, but remarkably balanced and tasty. Score: around 9 . Cost: $48. click to buy.

2014 Ridge Vineyards “Lytton Springs” Red Blend, Dry Creek Valley, Sonoma, California
Dark garnet in color, this wine smells of ripe cherries and black plums. In the mouth, beautifully intense flavors of blackberry, black cherry, licorice, peat and sage have a mouthwatering brightness thanks to excellent acidity. Gorgeous length and depth, with a finish that sails on for minutes as faint tannins strengthen their grip on the edges of the palate. A blend of 72% Zinfandel, 16% Petite Sirah, 8% Carignane and 2% Mataro (aka Mourvedre). 14.5% alcohol. Score: between 9 and 9.5. Cost: $39. click to buy.


from Vinography Unboxed: Week of October 22, 2017


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Saturday, October 28, 2017

Vinography Images: The Longest Shadows


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The Longest Shadows
SAUTERNES, FRANCE: The last light of the setting sun casts shadows through the trees and across the vines at Château d’Yquem in Sauternes, an appellation within the Graves region of Bordeaux. In the famous 1855 Classification of Bordeaux, d’Yquem was the only winery in the Sauternes region to be accorded the status of Premiere Cru Supérieur. Its sweet dessert wines are among the most famous, and long lived, in the world.

INSTRUCTIONS:
Download this image by right-clicking on the image and selecting “save link as” or “save target as” and then select the desired location on your computer to save the image. Mac users can also just click the image to open the full size view and drag that to their desktops.

To set the image as your desktop wallpaper, Mac users should follow these instructions, while PC users should follow these.

BUY THE BOOK:
This image is from a series of photographs captured by Andy Katz in the process of shooting his most recent work The Club of Nine, a visual exploration and celebration of Bordeaux’s top Chateaux. The book is available for $60 on Andy’s web site.

PRINTS:
If you are interested in owning an archive quality, limited edition print of this image please contact Andy directly.

ABOUT VINOGRAPHY IMAGES:
Vinography regularly features images by photographer Andy Katz for readers’ personal use as desktop backgrounds or screen savers. We hope you enjoy them. Please respect the copyright on these images. These images are not to be reposted on any web site or blog without the express permission of the photographer.


from Vinography Images: The Longest Shadows


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