Sunday, January 14, 2018

Get Set, Go!


Biodynamic consultant Andrew Beedy and Troon winemaker Steve Hall on the spot selected for our compost program.

Biodynamic consultant Andrew Beedy and Troon winemaker Steve Hall on the spot selected for our compost program.

This is the spot that will become the most important place of the vineyard. We’ve chosen the spot for the compost piles.

There is a day that dreams, plans and goals become a reality. On your mark, get set, go! As we crossed the starting line this week, we were firmly aware that we were starting a marathon, not a dash. This week we took our first steps to converting Troon Vineyard to organic and biodynamic agriculture. We have our eye on 2020 to achieve our first organic and biodynamic certification, but that will not be the finish line. In agriculture, there is no finish line.

We had already taken some steps forward as we had received our L.I.V.E. and Salmon Safe sustainable certifications, but we have now committed to biodynamics as our vision for the future of Troon. Our first big step was to secure the services of Andrew Beedy ([http://ift.tt/2B0Bky3]). Andrew’s speciality is designing a complete plan that looks at your property as a whole, not just as a vineyard. Andrew has spent his entire life immersed in biodynamics as he was born on a biodynamic dairy farm in Pennsylvania. He attended a Steiner elementary school that was attached to a biodynamic farm. As a teenager, he worked on an organic farm in England. After university, he moved to California, where he worked with his mentor, the famed biodynamic consultant Alan York, who also was the biodynamic consultant for our neighbor, Cowhorn Winery, here in the Applegate Valley. Today, Andrew’s clients span the entire nation coast-to-coast.

After walking for hours with Andrew through our vineyards and our entire farm property, you can feel your perceptions began to change as you start to look at your farm as a whole rather than as simple blocks of vineyards. This extends beyond our property lines as you understand that the Applegate Valley itself is included in a whole farm, holistic plan for farming.

With conventional agriculture you identify problems and then apply various applications. Many, many of these applications are nasty indeed. While they may solve one problem, the collateral damage they cause slowly, but surely kills your soils. Soil is the plant’s foundation, and dead soils cannot produce great wines. When you farm biodynamically you eschew these chemicals, which means you have to deal with the threats to your plants before they appear. In other words, biodynamics is all about prevention. A healthy plant can better resist diseases and pests than one living in dead soils relying on chemical fixes to deal with each and every problem.

Our new compost piles will be the heart and soul of the vineyard as this is how we will be bringing our soils back to life. One way I like to explain biodynamics is that it is organic agriculture with probiotics. It is the bacteria and fungi surrounding a plants roots that allow it to take nutrition from the soil. Conventional agriculture destroys this natural system. The power of biodynamics is that it brings the microbiome of your farm back to life, which brings your soils and plants back to life.

I will be chronicling the process of bringing Troon’s soils back to life here on this blog. Over the next weeks, we are evaluating our soils and the microbiome of our vineyards, and we will be carefully monitoring and documenting the changes in our soils and vines as we practice biodynamic farming over the next years. It is a story I am very excited to be sharing. It is a process that will change our farm, our vines, our wines and us.

It will be a steep learning curve. Could anything be more exciting?

Here is a link to the Demeter Biodynamic Farm Standard for certification.



from Get Set, Go!


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Saturday, January 13, 2018

Napa Luxe


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What is the defining characteristic of a wine region? The answer depends on who you ask, of course, but typical responses often range among the many distinctive aspects of the wine world: geology, topography, oenology, or even culture. The Mosel has its steep slate soils, Châteauneuf-du-Pape has its distinctive blend of 14 grapes, Chile’s Maule Valley has its twisted old vines of País and Carignan. And what of California’s Napa Valley? Beyond an affinity for Cabernet Sauvignon, an argument could convincingly be made that Napa has become known simply for luxury.

Perhaps this is why the recent news that Colgin Wine Cellars had sold a 60% interest to the luxury-goods giant Moët Hennessy Louis Vuitton was met with an inaudible shrug after the initial volley of press releases and news briefs. Colgin, owned by Ann Colgin and her financier husband Joe Wender, is a tiny producer perched on top of Napa’s Pritchard Hill (as seen above) whose roughly 4,000 cases each year sell to mailing-list customers for upwards of $500 per bottle.

With this purchase, LVMH adds Colgin to its already impressive list of wine properties that include Newton Vineyards in Napa (which it acquired in 2001), as well as Krug, Moët and Dom Pérignon champagnes, substantial portions of Chx Cheval Blanc and d’Yquem, and Bodega Numanthia among others.

LVMH is not the first luxury house to buy into Napa. St Supery winery was purchased in 2015 by the owners of Chanel, who also own Chx Canon and Rauzan-Ségla in Bordeaux.

In many ways, for an already premium wine region, such purchases represent Napa’s apotheosis. Short of the inexorably rising prices commanded by the region’s wines, there exist few, if any, rungs on the ladder of fame beyond this kind of acquisition. This latest purchase joins a bevy of other high-profile buyouts this year by industry giants such as Gallo and Constellation Brands and French businessman François Pinault’s Artémis Group.

Read the rest of the story on JancisRobinson.Com.

This article is my monthly column at JancisRobinson.Com, Alder on America, and is available only to subscribers of her web site. If you’re not familiar with the site, I urge you to give it a try. It’s only £8.50 a month or £85 per year ($11/mo or $111 a year for you Americans) and well worth the cost, especially considering you basically get free, searchable access to the Oxford Companion to Wine ($65) and the World Atlas of Wine ($50) as part of the subscription costs. Click here to sign up.


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Vinography Images: Gravelly


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Gravelly
MARGAUX, FRANCE: Skies flecked with white clouds hang above clay soils flecked with gravel at Chateau Margaux. Margaux is one of four original Premier Grand Cru classé wines according to the famous 1855 Bordeaux Classification. The estate is located in the commune of Margaux on the left bank of the Garonne estuary in the Médoc region, in the department of Gironde.

INSTRUCTIONS:
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BUY THE BOOK:
This image is from a series of photographs captured by Andy Katz in the process of shooting his most recent work The Club of Nine, a visual exploration and celebration of Bordeaux’s top Chateaux. The book is available for $60 on Andy’s web site.

PRINTS:
If you are interested in owning an archive quality, limited edition print of this image please contact Andy directly.

ABOUT VINOGRAPHY IMAGES:
Vinography regularly features images by photographer Andy Katz for readers’ personal use as desktop backgrounds or screen savers. We hope you enjoy them. Please respect the copyright on these images. These images are not to be reposted on any web site or blog without the express permission of the photographer.


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Tuesday, January 2, 2018

Wine News: What I'm Reading the Week of December 31, 2017


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Welcome to my weekly roundup of the wine stories that I find of interest on the web. I post them to my magazine on on Flipboard, but for those of you who aren’t Flipboard inclined, here’s everything I’ve strained out of the wine-related muck for the week.

Women and the Wine Industry
Karen MacNeil FTW.

Do Celebrity Wines Sell?
Yes, but if you want to learn more, read this.

Embrace the Wine Critic — They Matter
Tom Wark follows up on Jamie Goode’s article.

The Mystery of the Missing Wine Faults
Oliver Styles wonders why tasting notes don’t include wet band-aid.

The When and Why of Amontillado
And the crowd goes… silent?

Jefford on Monday: Wineism – towards a political philosophy of wine
I’ll vote for that platform.

The Hidden (Affordable!) Gems of Burgundy
Food and Wine recommends…

Terroir Alert! Champagne Is Expanding and Tempers Are Popping
More bubbly.

If You Do Anything in 2018
Matt Kramer recommends you drink this… book.

SF Chronicle’s Winemaker of the Year
I heartily applaud this one.

Winemakers to watch
The SF Chronicle picks this year are great

The Devastator: Phylloxera Vastatrix & The Remaking of the World of Wine
Kelli White on one of the natural forces that has changed the wine world.

Will Natural Wine Make It in the Mainstream?
Nice conversation, but it ended before it really got going.

Getting to Know Cava’s New Category
Amanda Barnes pauses in her journey to explore Cava.

China Gets Its Wine On
The excitement is palpable

How to Make the Most of a Trip to Wine Country
Simplistic advice, but a good start.

The Future of Oregon Wine: It Ain’t Pinot
I tend to agree.

7 Wine Resolutions for a Better 2018
Not so much resolutions as “don’t make my mistakes.”

9 resolutions to take you deeper into wine in 2018
Generally good advice.

Prominent New York Wine Merchant and Sommelier Dies Suddenly
Tragic loss.

17 Wine Resolutions for 2017 from Top Sommeliers
A few good ones in here.

To Oak or Not to Oak; Exploring the Wonders of Chablis
A primer.

Somms Spill on Nights from Hell
Oh Saber Bomb.

These 12 wines are the best bargains of 2017: They’re cheap without tasting like it
Dave McIntyre recommends.

Powering Forward
A great profile of an amazing guy.

L.A. wine pros share a few Champagne and sparkling wine picks for New Year’s Eve
OK, so a but late for NYE, but enjoy anyway.


from Wine News: What I’m Reading the Week of December 31, 2017


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Saturday, December 30, 2017

Vinography Unboxed: Week of December 24, 2017


bigstock-box-of-wine-on-the-plain-backg-26760620.jpgHello, and welcome to my periodic dig through the samples pile. I’m pleased to bring you the latest installment of Vinography Unboxed, where I highlight some of the better bottles that have crossed my doorstep recently.

This week marks another sparkling edition of my samples tasting just in time for your New Years’s shopping!

Let’s start this week with the most unusual bottle in the lineup which is a sparkling Pinot Blanc from the North Fork of Long Island that was held for a long time before release. Bright and airy, it’s a lovely rendition of the Pinot Blanc grape and at $23, it’s a steal.

Also a bit unusual, not in its grape or source, but in its flavor, is the latest sparkling wine from Rollin Michael Soles, a pioneer of sparkling winemaking in Oregon. This, from his new project, is quite distinct in character, and tasty in its own savory way.

Before we move on to the Champagne proper, let’s not overlook the Adami single vineyard Prosecco from Col Credas which is grown on staggeringly steep vineyards in the Prosecco region. It’s got much more personality than most Proseccos.

Let’s start our Champagne focus with Franck Bonville, a producer from the town of Avize in the Cote de Blancs region of Champagne. Their prestige Blanc de Blancs of Chardonnay has a bright floral quality that is very compelling, and at only $44 is on the lower end of what you’ll spend for a Grand Cru Champagne.

The Chassanay d’Arce bottling comes from the main cooperative winery in the Aube region of Champagne, where they buy grapes from all the local producers to make some pretty decent quality stuff. This “Confidence” bottling is among their top non-vintage wines.

remy_massin_Tradition.jpgFinally there are a couple of wines in here from the tiny producer Remy Massin, also from the Aube region. This family run outfit, recently taken over by the younger generation is making very high quality wines.

All these and more below. Enjoy.

2012 Domaine Carneros “Brut” Champagne Blend, Carneros, Sonoma, California
Pale gold in the glass with medium fine bubbles, this wine smells of apples, wet felt, and sea air. In the mouth, a coarse mousse delivers flavors of apple, pear, and bitter citrus across the palate, leaving a woody apple skin flavor in the finish. 12% alcohol. Score: around 8.5. Cost: $27. click to buy.

2011 Lieb Cellars “Reserve Blanc de Blancs” Pinot Blanc, North Fork of Long Island, New York
Light gold in the glass with medium bubbles, this wine smells of ripe and baked apples. In the mouth, a soft mousse delivers notes of yeasty, toasty bread that give way to apple and citrus pith brightness and an airy finish. Great acidity and nice delicacy. 13.2% alcohol. Score: between 8.5 and 9. Cost: $23. click to buy.

2013 Roco Winery “Rollin Michael Soles Brut” Champagne Blend, Willamette Valley, Oregon
Light blonde in the glass with very fine bubbles, this wine smells of toasted sesame and pickled seaweed. In the mouth, a soft mousse rolls across the palate tasting of wet leaves, apples, sarsaparilla, and a hint of citrus pith. Unusual. Good acidity. A blend of 67% Pinot Noir and 33% Chardonnay. 12.5% alcohol. 200 cases produced. Score: around 8.5. Cost: $53. click to buy.

2014 Adami “Col Credas” Glera, Valdobbiadene, Prosecco, Veneto, Italy
Pale gold in the glass with very fine bubbles, this wine smells of butterscotch candy and white flowers. In the mouth, a velvety, voluminous mousse delivers a unique combination of butterscotch, pear, and vanilla into a long finish scented with a touch of camphor. Good acidity. 11% alcohol. Score: around 8.5. Cost: $23. click to buy.

NV Franck Bonville “Prestige” Blanc de Blancs, Avize Grand Cru, Champagne, France
Pale gold in the glass with very fine bubbles, this wine smells of honeysuckle and pears. In the mouth, bright apple and pear flavors have a nice nutty biscuit quality. Nice and balanced, with equal parts of fruit and biscuity quality. A blend of at least two vintages.12.5% alcohol. Score: around 9. Cost: $44. click to buy.

NV Gardet “Brut Tradition” Champagne Blend, Champagne, France
Pale gold in the glass with medium fine bubbles, this wine smells of apples and pears with a hint of vanilla. In the mouth a soft mousse delivers bright apple and pear flavors with a nice rounded quality to them and nice bright acidity and length with a slightly sweet finish. 45% Pinot Noir, 45% Pinot Meunier, 10% Chardonnay. 12.5% alcohol. Score: around 8.5. Cost: $39 click to buy.

NV Chassanay d’Arce “Confidences” Blanc de Noirs, Champagne, France
Light blonde in color with very fine bubbles, this wine smells of freshly baked bread with honey, marzipan, and cold cream. In the mouth, flavors of honeysuckle, sea air, wet stones, and pink grapefruit have a nice saltine cracker savoriness to them. A lightly bitter chalkiness lingers in the finish. Made from 50+ year-old vines. 12.5% alcohol. Score: around 8.5. Cost: $82 click to buy.

NV Remy Massin “Brut Tradition” Champagne Blend, Champagne, France
Pale gold in the glass with medium fine bubbles, this wine smells of apples, pears, and wet stones. In the mouth, bright apple and asian pear flavors have a nice bright crispness to them. Round and bright. Juicy. 12.5% alcohol. Score: between 8.5 and 9. Cost: $55. click to buy.

NV Remy Massin “Brut Reserve” Champagne Blend, Champagne, France
Pale blonde in the glass with fine bubbles, this wine smells of asian pear, white flowers, and green apples. In the mouth, green apple crispness mixes with asian pear, wet stones and pink grapefruit citrus crispness. Juicy and bright and very clean. 70% Pinot Noir, 30% Chardonnay. Score: between 9 and 9.5. Cost: $62. click to buy.

NV Pol Roger “Brut Reserve” Champagne Blend, Champagne, France
Pale greenish gold in color with very fine bubbles, this wine smells of bright apples and pears with a hint of white peaches. In the mouth, flavors of white peaches, apples, and pears take on a citrus peel brightness in the finish mixed with green apples. Soft mousse. Contains one third each of Pinot Noir, Chardonnay, and Pinot Meunier. Ages for 4 years in bottle before release. 12.5% alcohol. Score: around 9. Cost: $40. click to buy.


from Vinography Unboxed: Week of December 24, 2017


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Friday, December 29, 2017

Vinography Images: The Wide Sky


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The Wide Sky
GIRONDE, FRANCE: Cumulus clouds hang across the wide expanse of sky above the vineyards of Chateau Ausone in Gironde on Bordeaux’s Right Bank near Saint-Émilion. Ausone is one of only 4 wines classified as Premier Grand Cru Classé in the Saint-Émilion classification.

INSTRUCTIONS:
Download this image by right-clicking on the image and selecting “save link as” or “save target as” and then select the desired location on your computer to save the image. Mac users can also just click the image to open the full size view and drag that to their desktops.

To set the image as your desktop wallpaper, Mac users should follow these instructions, while PC users should follow these.

BUY THE BOOK:
This image is from a series of photographs captured by Andy Katz in the process of shooting his most recent work The Club of Nine, a visual exploration and celebration of Bordeaux’s top Chateaux. The book is available for $60 on Andy’s web site.

PRINTS:
If you are interested in owning an archive quality, limited edition print of this image please contact Andy directly.

ABOUT VINOGRAPHY IMAGES:
Vinography regularly features images by photographer Andy Katz for readers’ personal use as desktop backgrounds or screen savers. We hope you enjoy them. Please respect the copyright on these images. These images are not to be reposted on any web site or blog without the express permission of the photographer.


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Why You Should Pay More for Champagne (And What to Buy When You Can't)


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Valentine’s day. Easter. Halloween. New Year’s Eve. What do all these holidays have in common? They each drive some of the highest yearly consumption of a single product. As we approach the end of the year, Champagne dominates the wine media headlines. Everyone wants to know what to drink at New Year’s and heaven forbid us journalists leave our readers wanting for advice.

krug_gc.jpgJust as with the so-called “rosé season” annually proclaimed to exist somewhere between the end of May and the beginning of September, the intense interest in Champagne this time of year leaves me somewhat bemused. Like rosé, Champagne ought to be drunk year-round in copious quantities, simply because it is some of the most food-friendly, versatile wine on the planet.

Everyone is willing to make a toast on New Year’s or at a wedding with a glass of bubbly, but a lot of people don’t drink it much more often than that. One of the reasons that I believe more Champagne does not get consumed year-round is that many people don’t like the way it tastes.

Nor should they. A lot of Champagne is bitter and nasty. In part, this (at least for me) explains the current boom in Cava and Prosecco consumption here in the United States, as these two sparkling wines from Spain and northern Italy historically tend towards the sweeter end of the spectrum, and are a lot easier on the American palate.

Like many consumers, it took a long time for me to enjoy Champagne. Not because it is particularly an acquired taste, but because more than with many other styles of wine, you really get what you pay for. For years in my early adulthood, I would confidently tell people that I didn’t care for Champagne. To my amazement one day, I found out what I really meant was that I didn’t care for cheap Champagne. You see, I had just never had any of the good stuff.

Generalizations are dangerous in any domain or discourse, but I’ve found few things in the wine world more reliably true than what I’m about to tell you. You need to pay at least $40 to get a good bottle of Champagne. Have I had good bottles that cost less? Absolutely. When I find them, like the stuff made by Ayala that you can find as cheap as $32 a bottle, I tend buy them by the dozen.

But if you’re able to pay $50, $60, or even $70 a bottle for Champagne, you can put yourself onto an entirely different plane of taste, texture, and experience.

Why is good Champagne so expensive, and why would it be worth paying for? I’ll do my best to answer this question, and if paying so much for a bottle of bubbly is a non-starter for you, just stick with me and I’ll tell you where to go looking for decent bubbly that won’t break the bank.

Any good wine, made with an artisan approach, won’t be cheap, purely because to make good wine costs money. Leaving aside the cost of the land itself, which in some regions (such as Napa) all but guarantees wines will never fall below a certain price point, the labor and equipment required to make wine is expensive. Vineyards take a lot of skilled labor to maintain and keep healthy. From tractors to the buildings that house the barrels to the barrels themselves, the equipment used to make wine costs a lot of money. And then there’s cash flow. If you’re going to age your wine, as is helpful to make fine wine of all kinds, then you not only need to buy barrels and pay for vineyard labor for the year you’re going to put into the bottle, but before you sell that wine, you may need to do the same for the next vintage, and the next. And of course, you need to pay rent on wherever you’re going to keep those three years of barrels while you’re waiting for the wine to be ready to go into the bottle.

And that’s just for a nice bottle of Cabernet. Sparkling wine ends up being a bit more complicated.

Of course, you can just make some early-picked wine, stir in some sugar to cut the acidity and then carbonate it, which, if you’ll forgive that description’s brevity, is how most cheap sparkling wine is made. But this doesn’t make for much more than a glass of bubbles that tastes vaguely like wine. If you want to make Champagne, or sparkling wine in the traditional method that region pioneered, you need to ferment the wine twice: first in barrels or tanks to turn your early-picked grapes into a highly acidic wine known as vin clair, and then a second time in individual bottles with a dollop of yeast that will create the bubbles under the seal of a crown cap like you’d use to close a soda bottle.

And then, according to your desire for flavor and quality, you may age that wine “on the lees” (in contact with that yeast residue) for many years. During that time, you’ll also need to riddle each bottle, a process that involves (either by hand or machine) turning the bottle in special racks to accumulate that yeast residue into the neck so that when it comes time, you can disgorge the yeast, top up the bottle and put in the final cork. Some of the best Champagnes are aged in their bottles for more than a decade before they are released for sale. This extended aging (known as tirage) can turn a good wine into a transcendent one. Of course, there’s more to Champagne than extended tirage. Some of the best wines being made today aren’t, in fact, aged for very long in the bottle, but instead are the products of impeccable farming, masterful blending and increasingly, very specific sites.

But back to my point. The labor, storage space and time required to make a good Champagne simply costs more. And then in the case of Champagne (and other imported wines), the bottles need to be shipped across the Atlantic in temperature controlled shipping containers and then imported into the US after paying the requisite taxes.

And lets face it, when you’re paying for Champagne, no matter which producer you’re buying, you’re also paying a brand premium. The word “Champagne” itself adds to the price of the wine, just as much as the word “Napa” does. That premium is reflected in the price of the land, housing, and the overall cost of doing business in the region.

belluard_perles.jpgNo wonder, then, that it’s nearly impossible to find a Champagne that costs less than $20 and, in my opinion, few really good ones that cost less than $40. The Champagne that many people splurge on, Veuve Cliquot, represents an absolutely awful value at $50 or more per bottle. Instead try the NV Pierre Peters “Cuvee de Reserve” at $49 a bottle, or the NV Philipponat Brut Royal Reserve at $45.

If you can spend more, though, you can experience the magic of what Champagne truly has to offer, from the incredible minerality of a NV Frederic Savart “l’Accomplie Premier Cru” Brut ($60) or 2004 Pascal Douquet Mesnil sur Oger Grand Cru Blanc de Blancs ($80); to the freshly baked brioche richness that can only come from extended tirage in the likes of a Krug Grand Cuvee ($145) or a Taittinger Comtes de Champagne Blanc de Blancs ($114).

But if you (quite understandably) can’t bring yourself to spend that much on a bottle of bubbles, I’ve got you covered. Of course, Champagne isn’t the only place that makes great (and expensive) sparkling wines. Good sparkling wine gets made in many of the world’s wine regions. Some of the best California sparkling wines and Italian sparkling wines now command the same kinds of prices as do Champagne. But even in these regions, as well as some other spots around the globe, decent bottles of bubbles can be found for less than $30. The reasons these places and producers can make less expensive sparkling wine range from the simple economic realities of lower land prices and cheaper grapes, to less rigorous aging regimens and simply less recognition on the world stage.

Whatever the reason, thankfully the wide world of wine, skillfully navigated, can make up for the lack of decent cheap Champagne.

Let’s start with the far-ff corner of France known as the Savoie, where one of my favorite wine producers in the world, Dominique Belluard also happens to make a little bit of sparkling wine from the Gringet grape variety found in the region. His NV Belluard “Les Perles de Mont Blanc” will set you back a mere $25, and its a wonderful crushed stone and apple/pear mouthful that is unlike anything you’ve ever had before.

Chenin Blanc is one of the hot grapes right now amongst sommeliers and wine geeks, but the focus generally remains on the dry and off-dry versions produced in France’s Loire Valley. Less well known are the sparkling wines made from the same grape, but all the better for anyone looking for a wine that drinks well above its weight. Benchmark producer Domaine Huet makes a positively stellar version that goes for a song. Find the NV Domaine Huet Petillant Brut for around $23.

Still in France, Alsace is known for its Rieslings and Gewürztraminers, but insiders know that it grows decent Pinot Noir and Pinot Blanc as well, some of which gets made into a sparkling wine known as Cremant d’Alsace. In my experience the best examples of this wine are actually the rosés, such as the reasonably easy to find NV Pierre Sparr Cremant d’Alsace Rosé ($19).

Much of what Spain’s Cava region produces is unremarkable, but quality producers have begun to make names for themselves, perhaps none more so than Raventos i Blanc, who produce some of the best Cavas I’ve ever had the pleasure of tasting. Their 2015 Raventos i Blanc “L’Hereu” Brut is an absolute steal at $19 a bottle.

Finally, while the best Italian sparkling wines are unfortunately just as expensive as the best Champagnes these days, a few producers are making really high quality sparking wines that trade at reasonable tariffs. Among my favorites is Ferrari, whose vintage Ferrari Perle Brut can be enjoyed for somewhere around $30 or $35.

And last, but certainly not least, there’s the wine I recommend whenever anyone asks the nearly impossible question, “How can I drink decent sparkling wine for under $20 a bottle?” More than a few weddings have avoided bankruptcy by using the Roederer Estate Brut from Mendocino’s Anderson Valley for their wedding toasts. It’s hard to imagine how Roederer manages to produce such a consistently drinkable bottle for under $15, but they do, and very few California sparkling wines even twice the cost approach its quality.

I hope you enjoy your toasts at the end of the year, but more importantly, I hope you’ll manage to discover some sparkling wines that will keep you drinking the bubbles long after the first of the year. If you haven’t explored the charms of Champagne with your fried chicken, or sparkling wine with your popcorn, well then you’ve got some further resolutions to make.


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