Tuesday, February 6, 2018

Wine News: What I'm Reading the Week of 2/4/18


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Welcome to my weekly roundup of the wine stories that I find of interest on the web. I post them to my magazine on on Flipboard, but for those of you who aren’t Flipboard inclined, here’s everything I’ve strained out of the wine-related muck for the week.

At Home and At Work in Wine Country
A report from Elaine Brown on the folks who do the hard work in wine country

Neil Martin’s Goodbye Letter to the Wine Advocate
A nice read

Women Reshape Argentina’s Macho Winemaking
The pleasant decline of “hypermasculinity” in sommelier ranks

Black South African winemaker shakes up industry
A pioneer continues her work

The Science of Orange Wines
Paul Adams talks about how little we really know

Wrath about grapes: critics angry after New Zealand winemaker uses Australian fruit
National pride vs . economics

Anson: Bordeaux counts cost of frost for 2017 vintage
A 40% crop reduction for starters

Winemakers Turn to MIT to Save Pinot Noir in Warming Temperatures
Elin McCoy on the threats to terroir

Academics Explain Terroir But Not Exactly The Way Wine Consumers Might Expect
Trade and politics, apparently

Those Days When The Kansas Prairie Had More Wine Cred Than Napa Valley
Head on back to 1850

Drink Up: New Study Concludes Wine Can Offset Dementia
Mental floss, indeed

Don’t Judge a Wine by the Grape on Its Label
Eric Asimov works his way around to Grenache

Wine Lovers: Relax, Study Suggests Calif. Grapevines Can Weather Searing Drought
If only mere survival were enough

Yes, Cork Taint is Still a Problem
Very true, in my experience.

Fair Play in El Dorado County is a wine secret ‘on the cusp of discovery’
Mike Dunne thinks so.


from Wine News: What I’m Reading the Week of 2/4/18


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Wednesday, January 31, 2018

Wine News: What I'm Reading the week of 1/28/18


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Welcome to my weekly roundup of the wine stories that I find of interest on the web. I post them to my magazine on on Flipboard, but for those of you who aren’t Flipboard inclined, here’s everything I’ve strained out of the wine-related muck for the week.

Wine Faults and How to Recognize Them
An excellent primer.

Sorry, Paris: London Is Europe’s New Wine Capital
Jon Bonné loves a little cultural coup.

You’re Ordering Wine Wrong
Robert Bohr suggests ways to improve your game.

Life After Being a Sommelier
Stephen Satterfield reflects.

Burgundy’s new breed of wine producers
Jancis on a new crop.

We may be drinking less wine, but it’s better wine
Dave McIntyre on the latest annual stats.

Do Your Genes Predict Your Wine Preference?
Brooke Borel on ongoing matters of debate.

Drinking in Vienna’s Wine Scene
Worth going to.

The risk-takers: The realities of buying a vineyard
You know the saying…

A New Perspective on the Vineyard Labor Shortage Situation: The Case of Cain Vineyard
A look at ongoing options.

What do we mean by fine wine?
Tim Atkin ponders the question.

War over planting rights erupts in Champagne
Expansion isn’t easy.

Putting a Cork in the Oxidation Question
Corks don’t really “breathe.”

Artificial Intelligence Changes the Wine World
Eventually.

The State of Central Coast Syrah
Thoughts from folks who know.

Trade Talk with Levi Dalton
Levi gets interviewed by the Greeks (PDF)

Maps of German Wine Regions
Geeky super cool digital cartography.

Today’s wine dichotomy
Two kinds of wine, says Jancis.

Sommelier Belinda Chang Predicts 2018 Will Bring a Return to Wine Classics
Europe is in, she says.

What’s new: Amador’s wine profile continues to grow
Nathan Hurst profiles gold country wine.

The volcanic wines of the Azores
Worth reading for the vineyard photos alone.

A Comparison of In-Amphorae Winemaking to Barrels/Barriques in Chardonnay Wine
Super wine geek alert – this is about chemistry

48 Hours in London with Laura Rhys
Drinking in London, sommelier style

Getting to Know Mexico’s New Wine Scene
Peter Weltmann dishes on the hottest name in Mexico

Clearing the Air: Smoke Taint and the Aftermath of the California Wildfires
Jessica Zimmer talks impact

Jefford on Monday: Tracking terroir
Microbes!

Gallo Opens Up in Public
Blake Gray covers what sounds like a remarkable speech

Weed is Impacting Wine Sales
Rob McMillan shares his thoughts and some interesting research

Old grapes, new barriers
Simon Woolfe on efforts to grow indigenous varieties in the Languedoc

Bored? Oh, Those French Grapes
Oliver styles argues for variety

How looming wine shortages could shape the market
Robert Joseph isn’t throwing himself off a cliff due to the Prosecco shortage

Can Zinfandel be saved? Conversation with Turley’s Tegan Passalacqua
Great conversation

Premier Cru Victims Stung Again
The very definition of adding insult to injury.


from Wine News: What I’m Reading the week of 1/28/18


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Saturday, January 27, 2018

Vinography Images: Moulin


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Moulin
GIRONDE, FRANCE: An iconic windmil, or in French: moulin a vent, looks over the vineyards of Chateau Ausone in Gironde on Bordeaux’s Right Bank near Saint-Émilion. Ausone is one of only 4 wines classified as Premier Grand Cru Classé in the Saint-Émilion classification.

INSTRUCTIONS:
Download this image by right-clicking on the image and selecting “save link as” or “save target as” and then select the desired location on your computer to save the image. Mac users can also just click the image to open the full size view and drag that to their desktops.

To set the image as your desktop wallpaper, Mac users should follow these instructions, while PC users should follow these.

BUY THE BOOK:
This image is from a series of photographs captured by Andy Katz in the process of shooting his most recent work The Club of Nine, a visual exploration and celebration of Bordeaux’s top Chateaux. The book is available for $60 on Andy’s web site.

PRINTS:
If you are interested in owning an archive quality, limited edition print of this image please contact Andy directly.

ABOUT VINOGRAPHY IMAGES:
Vinography regularly features images by photographer Andy Katz for readers’ personal use as desktop backgrounds or screen savers. We hope you enjoy them. Please respect the copyright on these images. These images are not to be reposted on any web site or blog without the express permission of the photographer.


from Vinography Images: Moulin


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A Long Awaited Journey


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I have a confession to make. I have been drinking sake seriously for more than 18 years. I have been writing about it and reviewing sakes here on Vinography for 14 years. I have taught seminars on sake at places like the Aspen Food & Wine Classic. But until this week, I had not been to a sake brewery. It’s a little shocking to think about, even for me, given my history and experience with wine. By the time I started writing about wine I had already visited dozens of wineries. I even lived in Japan for more than 18 months, but I never made it to a sake brewery during that time, nor in subsequent visits over the years.

But now I’ve corrected that mistake, thanks to the generosity of the Japan Sake and Shochu Maker’s Association, who brought me back to Japan and provided the opportunity to make my overdue journey into the heart of sake.

Winter is the season of sake, and the best time to visit breweries, or kura as they are known in Japanese. Depending on their location, the brewing season will last from October to March. Brewers rely on the crisp, chilly air of the season to minimize ambient bacteria and yeast populations, as well as to assist with the low temperature fermentations that make for the highest quality sakes.

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Unlike wine, whose yearly vintage “crush” consists of a flurry of autumnal activity lasting a few weeks, sake brewing happens continuously through the winter season, depending on the production size of each brewery. During this season the toji, or master brewer, and a crew of several helpers will literally live at the brewery, rising well before dawn, seven days a week without a day off, to perform the series of backbreaking activities involved in making sake.

Leaving aside the milling of rice – the process of sanding each individual grain down to a fraction of its former size – which most breweries now outsource, the work of sake brewing involves the following activities that often begin as early as 5:00 AM: washing rice; steaming rice; cooling rice; turning a portion of the rice into koji by inoculating it with a special mold; creating a starter batch of sake by mixing koji, freshly steamed rice, water and yeast; tending that starter and adding more rice in successive batches; completing fermentation by pressing and filtering the sake; and then putting the sake into tank or bottle for aging.

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The nature of the sake making process (especially the making of koji), the need to carefully control the microbiology at work (since the slightest bit of unwanted bacteria or yeast can lead to nasty odors or flavors), and the physical capacity of tanks and the people manning them means that sake must be made in many, many, many successive batches. The largest, most commercial breweries can make more, larger batches at once, but even they run into the limitations of needing steamed rice to be at just the right temperature and moisture content, and the fact that koji must be made fresh in carefully tended batches every 48 hours.

While some breweries employ (pretty sophisticated) machines that assist with these tasks, they remain incredibly intense physical activities, as I learned firsthand yesterday morning as I was pressed (quite willingly) into shoveling steamed rice, carrying bags of rice, and stirring fermenting batches of rice at a brewery I visited in Kochi Prefecture on the island of Shikoku.

Needless to say, winter mornings are when you’d want to visit sake breweries, as they are ceaselessly abuzz with activity for more than five months, as their increasingly sleep deprived workers repeat the same tasks over and over and over with a dedication and precision that astounds.

But before you pack a bag and head out to visit your favorite sake brewery, you should know that the world of sake differs from the world of wine in many important ways, especially when it comes to tourism and the consumer experience.

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To be blunt, while many breweries will happily receive you at a small shop next to the brewery where you can purchase a bottle or two, a sizeable percentage of breweries lack even this most basic of hospitality offering. And as for getting up early and showing up to poke your head into the kura to see sake making in action? Unless you’re on a pre-booked and carefully organized tour with an outside agency, you can forget it. Language barriers aside, brewers generally don’t want the distraction (or liability in what can be a dangerous environment) of tourists underfoot.

And you thought making visits to cellars in Burgundy was tricky.

Exceptions to this generalization continue to grow in number, as forward-thinking breweries continue to seek ways of compensating for generally shrinking consumption of sake in Japan, but despite more than 400 years of history, the sake industry remains quite undeveloped when it comes to tourism. Advocates for the industry, as well as third-party tourism agencies do regularly organize tours, so anyone who has their heart set on visiting a brewery will find it is possible with a bit of extra effort. Accompanied by a bi-lingual guide, this can be an immensely rewarding and educational experience. For now, however, just finding your way to a brewery hoping to do a little tasting remains a somewhat fruitless pursuit.

Should you make it to a brewery, don’t expect it to be like your average winery facility just with rice instead of grapes. Compared to even the most modest wine regions around the globe, the world of sake brewing remains significantly under-capitalized. The vast majority of brewers who manage to get bank loans almost always do so for the purposes of buying equipment or higher quality rice. Only the most visionary producers (who also often happen to be the most newly established) are working to create anything other than a purely functional environment at the brewery.

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Most breweries are old, industrial, and by wine world standards, quite dingy. While fastidious in their focus on minimizing microbiological contamination (those allowed to visit the kura must wash and sterilize their hands, wear hair nets, remove their shoes, not consume yogurt or other active culture products in the days before a visit, and generally not touch anything while inside), the insides of breweries are dark, noisy, tarnished, and in most cases a bit decrepit. Think of the most humble, Old World winemaking facility you’ve been to, double the number of hoses, tanks, and carts, and then add a bunch of steam pipes and odd looking machinery in various states of antiquity and you’ll get the general idea. The gleaming, spotless, well-lit fermentation rooms of Sonoma these most certainly are not.

But what these environments may lack in both curb appeal and interior design, they make up for in the humble passion of the people running them, and the ethereal purity of their products, which can taste like blooming flowers and the first deep snowfall of the season in a cedar forest. Despite a steady decline in Japanese sake consumption for more than thirty years the dedication and craftsmanship of those brewers who choose (sometimes barely) to remain in business is as remarkable as it is inspiring.

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At the center of each grain of rice lies a small white heart that the Japanese call the shinpaku. This bundle of pure starch contains the carbohydrates that must be broken into sugars to fuel the fermentation of rice into alcohol. The complex process of making sake begins with the painstaking work to expose and exploit this miniscule resource, hidden by the rough exterior of a brown rice husk. Each grain is milled down to a fraction of its former size, stripping away the fats and proteins that hide the shinpaku until it becomes visible, a tiny fleck of brilliant white amidst the cloudy refined form of the polished grain. Even after milling, soaking, and steaming the shinpaku remains out of reach. Only thanks to the magic of koji does the shinpaku release its grip on the valuable sugars within.

While I learned many lessons during the time I spent living in Japan, one of the most important was that there were always deeper levels of significance and meaning beyond my surface understanding of any aspect of the culture. Sake embodies this truth perfectly. Look past the grimy patina that marks the walls of most breweries, taste a few really good bottles, and you’ll catch a glimpse of the soul and complexity of sake, a profound expression of Japanese craftsmanship and a unique landscape of flavors.


from A Long Awaited Journey


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Tuesday, January 23, 2018

Wine News: What I'm Reading the week of 1/21/18


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Welcome to my weekly roundup of the wine stories that I find of interest on the web. I post them to my magazine on on Flipboard, but for those of you who aren’t Flipboard inclined, here’s everything I’ve strained out of the wine-related muck for the week.

2018 SVB Wine Report Videocast Replay
The annual state of the state.

Becoming a Master of Roussanne
A profile of Maggie Harrison

Richard Kunde, champion of Sonoma County wine, agriculture, dies at 75
Farewell Mr. Rootstock.

Bubbles Along The Willamette: Oregon’s Sparkling Wine Renaissance
More than 40 producers now, apparently.

DRC Winemaker Retires
A name most did not know.

Interview: Perspectives on Whole-Cluster Fermentation
Kelli White asks winemakers about whole cluster.

The Value of Value
Matt Kramer advocates for value wines.

Nebbiolo, the wine equivalent of winter’s woodpile
Mike Dunne on many forms of Nebbiolo.

Goldman’s No. 2 Allegedly Swindled Out of $1.2 Million of Wine by Assistant
Oops. That’s a firing offense for sure.

Kermit Lynch on Terroir and Why Wine Should Be Described in Human Terms
Kermit argues for a return to “comely young thing” as a descriptor

What you need to know about how oak barrels affect wine
Michael Austin pens his version of Barrels 101

Anson: Jesse Katz – Remember the name
Jane Anson profiles the young superstar

This Wine Auction Is Giving All Proceeds to Napa and Sonoma Fire Victims
Bordeaux steps up!

Experience Wine Beyond What’s in Your Glass
Ann Krebiehl says get into the vineyard.

How to Become a Wine Editor
An interview with Ray Isle.

Frantic Buyers Race to Bag Top Burgundy
Small quantities from tough vintages.

Jefford on Monday: Tenants and sharecroppers
Andrew Jefford explains a key aspect of French wine growing.

Wine magazine banned from New Jersey prisons
Is that the Wine Spectator in your pocket, or just a really big shiv?

Legendary Barbaresco Winemaker Bruno Giacosa Dies at 88
One of the greatest of all time.

Tree Huggers: The Tale Behind Italy’s Hot New White
Trebbiano Spoletino is the next thing in Umbria, says Robert Camuto

The History of Wine in 442 Podcasts
Levi Dalton profiled in the New York Times.

Silver Oak is building the state’s most eco-friendly winery
Sounds like quite the project.


from Wine News: What I’m Reading the week of 1/21/18


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I'll Drink to That: Ray Coursen of Elyse Winery


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Episode 442 of I’ll Drink to That! was released recently, and features Ray Coursen,the founding winemaker and owner of Elyse Winery and Jacob Franklin Wines. He is also working with the Purple Heart Wines project.

Ray Coursen arrived in Napa in the 1980s, but this interview goes much further back into Napa Valley history than that. Ray has made a habit of searching out conversations with the older generation of farmers and winemakers before him, and he shares many of those memories here. When was Petite Sirah known as “Pets”? When did phylloxera hit Napa for the actual first time? When did the old-timers blend Zinfandel into their Cabernet? Ray shares those answers. He also reflects on a changing landscape for wines sales, and the escalation of vineyard prices in the Valley. As he prepares to hand off his winery to his son, Ray wonders if his own son will be able to have the same opportunity. This interview is both a trip back in time and a look at the future of Napa Valley.

Listen to the stream above, or check it out on Apple Podcasts, on Stitcher, Google Play Music or check it out on YouTube.

IDTT is now also available on Spotify. Listen to this episode on Spotify.

I’ll Drink to That is the world’s most listened-to wine podcast, hosted by Levi Dalton. Levi has had a long career working as a sommelier in some of the most distinguished and acclaimed dining rooms in America. He has served wine to guests of Restaurant Daniel, Masa, and Alto, all in Manhattan. Levi has also contributed articles on wine themes to publications such as The Art of Eating, Wine & Spirits magazine, Bon Appetit online, and Eater NY. Check out his pictures on Instagram and follow him on Twitter: @leviopenswine


from I’ll Drink to That: Ray Coursen of Elyse Winery


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Friday, January 19, 2018

I'll Drink to That: Chisa Bize of Domaine Simon Bize et Fils


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Episode 441 of I’ll Drink to That! was released recently, and features Chisa Bize, who looks after Domaine Simon Bize et Fils in the Burgundy village of Savigny-les-Beaune.

Chisa Bize has a life with multiple chapters. In one, she is living in Tokyo, near her family and her childhood home, while working in a bank. In the next there is a chance meeting with a traveling Burgundian looking for currency exchange. An invite for the harvest period is proffered, and Chisa decides to take a chance on an adventure: she quits her job, and heads to Savigny-les-Beaune without further future plans in mind. At the beginning the welcome is kind, but the place is lonely, and she is unsure what will happen. A marriage and a baby boy soon join the picture, and Chisa is no longer lonely, or in the possession of much free time. While these whirlwind changes might be the crux of most stories, for Chisa they are just the beginning, and a series of unexpected turns then places her in charge of a historical wine domaine. Her development as a vintner and as a caretaker of key vineyard sites in Savigny takes up a large part of the discussion of this interview, and anyone listening who thought that they would never under any circumstance make wine themselves might listen to this episode and find more than one surprise.

Listen to the stream above, or check it out on Apple Podcasts, on Stitcher, Google Play Music or check it out on YouTube.

IDTT is now also available on Spotify. Listen to this episode on Spotify.

I’ll Drink to That is the world’s most listened-to wine podcast, hosted by Levi Dalton. Levi has had a long career working as a sommelier in some of the most distinguished and acclaimed dining rooms in America. He has served wine to guests of Restaurant Daniel, Masa, and Alto, all in Manhattan. Levi has also contributed articles on wine themes to publications such as The Art of Eating, Wine & Spirits magazine, Bon Appetit online, and Eater NY. Check out his pictures on Instagram and follow him on Twitter: @leviopenswine


from I’ll Drink to That: Chisa Bize of Domaine Simon Bize et Fils


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